Faux Finishes
Select Finish to View
History of Faux
 
   

Tissue Glaze

2 Angels

Venetian Gem Stripe

Brushed
Plaster Glazed

Fresco
Green - Gold

Gray Stencil

Fine Line Crackle

Marble Drifts

Plaster Drag

Fresco Rose

Sandstone Stencil Two Tone

Venetian Gem
Splatter Brow

Venetian Gem
Splatter Blue

Softex Plaster

Old World Y

Pull Off Crackle

Fresco 1

Old World Crackle

Embedded Moonscape

Fresco Red

Embedded Turq & Gold

Wall Textured Basic

Basic Knockdown Cover-up

Venetian Plaster Red Red

Venetian Plaster Brown Two Tone

Venetian Plaster Blue

Venetian Plaster Blue Sage

Fresco Green & Gold

Marble Drifts

   
History of Faux TOP

Since the beginning, humans have decorated the walls of their shelters. They used earth pigments bound with animal fat as the first paints. Later, the Egyptians used waxes and gums as binders for these earth pigments to paint the walls of tombs. The Romans invented mural painting mixing their earth and plant-based pigments with water-based binders to paint frescos. By the late Middle Ages, oil-based paint was invented similar to the artist' oils still used today. It was the period of the Renaissance that the Italian painters such as Leonardo and Michelangelo made famous the art of Fresco and Trompe l'oeil. Fresco painting is the art of mixing paint with wet plaster to produce images that look as if they are embedded in the wall. Trompe l'loeil means "to fool the eye" and is used to simulate an architectural detail such as moldings, columns and still lifes on surfaces to create three-dimensional elements. The success of the process leaves a viewer for a moment unable to detect the real from the painted.

The art of Decorative Painting was first used among the European aristocracy. There are two major "schools" or styles of decorative painting. One is the Italian school; the other, the French school. The Italian style is very loose and is generally used to leave the "impression" or effect of a certain material such as marble or wood. The reality of the finish is more an illusion. The French style is much more precise with the emphasis on reproducing the physical characteristics of a material almost exactly. The term"faux" is French, which translates to mean "false finish". As far back as the 17th century, these false finishes were made to imitate the look of marble, stone, granite, brick and a multitude of other fine finishes over almost any surface. The French style is well suited to produce high-quality finishes that must match existing materials.

Today, Faux Finishers or Decorative Painters are considered craftsmen not artist because there are preserved theories, formulas, rules and recipes that each must follow. However, it is considered a craft that benefits from one possessing artistic talent. In the past, apprentices began training as young as 13 years old, sent off to live under the guidance of a master or senior craftsmen. Only after years of instruction would someone earn the title of Decorative Painter. Today, craftsmen earn the title by enrolling in classes taught by professionals and then practicing that craft on families and friends until their confidence enable them to present their work to the public; generally Contractors and Interior designers to start. The old ways have been modernized by the development of products that replicate the old style finishes without the hazards. For most Faux Finishers, the days of mixing linseed oil and gum turpentine with dry pigments to create glazes are no longer a part of the process.

Most products are water based and ready to apply. However, the knowledge of this craft is still a key factor to a beautiful finish.
l D

o

|Home | About JK | Gallery Tour | Guest Book | Contact Me |
Copyright ©2002 Emery Graphic Systems. All rights reserved.